2017. Tinta spray sobre papel. Serrote real foi usado como matriz. 100cm x 62cm.

2017. Tinta spray sobre papel. Um martelo real foi usado como matriz. 100cm x 62cm.

Monotype on paper. 2017. 50cm x 62cm.

Detalhe.

Detalhe.

Detalhe.

Detalhe.

Detalhe.

Às Vezes Palavras são Fronteiras e Grade Inútil.

Às vezes Palavras são Fronteiras e Grade Inútil.

Exposition view (Marp).

Scheme of Amendments. 2017. Diptych. Collage, crepe tape, oil stick, crayon, graphite, shellac on paper.

https://youtu.be/CeT5sJNO48E

Social Drawing.
2015.Installation.
Paper, tape, monotypes on paper, bat oil, rubber band, string, objects. Additional materials should be available for the public to interfere. Approximate dimensions:
650cmx400cmx300cm.

Space study. 2015.
Installation
and interference. Concrete and ink on
walls. Drawings of
architectural surfaces were used as matrices.

Reconfiguration of Specific
Spaces 2 (MacDowell Colony). 2014.
Monotype on paper. Drawings taken
from surfaces of architectural spaces
of the building "Lodge"
were transferred to paper.
Life-size. Polyptych of 5 parts.
150cm x 270cm.

Reconfiguration of Specific
Spaces 2 (MacDowell Colony).
View of the work at the Bienal
de las Fronteras, Contemporary
art Museum of Tamaulipas,
México. 2015.

Reconfiguration of Specific
Spaces 4 (Heinz). 2014.
Drawings taken from surfaces
of architectural spaces of the building
"Heinz" were transferred to the walls
of a corner and two pieces of wood
on the floor. Life-size.
200cmx200cmx200cm.

Reconfiguration of Specific Spaces
(MacDwell Colony). 2014.
Monotype on paper.
Drawings found on surfaces of
MacDowell Colony's architecture
spaces were transferred to sheets
of paper and mounted in relationship
with the studio Heinz space.
270cm x 900cm x 200cm

Reconfiguration of Specific Spaces
(MacDwell Colony). 2014.
Monotype on paper.
Drawings found on surfaces of
MacDowell Colony's architecture
spaces were transferred to sheets
of paper and mounted in relationship
with the studio Heinz space.
270cm x 900cm x 200cm.

Reconfiguração de Espaços
Específicos (MacDowell Colony)
Outra Vista.

Reconfiguration of Specific Spaces
(MacDowell Colony) Other view.

Double Space. 2014.
Instalation. Concrete.
Parts of the surfaces of
Casa das Caldeira's architecture were
duplicated and mounted in relationship with a
specific space of the place. 350cm x 500cm

Espaço Duplo vista 04/
Double Space View 04

Esp[aço Duplo vista 05/
Double Space View 05

Espaço Duplo vista 06/
Double Space View 06

Espaço Duplovista 07/
Double Space View 07

Hall on Paper. 2014.
Monotype on paper. Site specific.
Drawings taken from architectural
elements of the City Hall of St. André
were transferred into sheets of paper
at full scale and assembled in dialogue
with the exhibition space.
Dimensions: 220 cm x 440 cm.

Salão Sobre papel. Detalhe/
Hall on Paper Detail.

Ateliê on Ateliê. 2013.
Monotype on the wall.
Site specific. Drawings of
Kitchen's and bathroom's
surfaces of the Ateliê 397
were transfered to the
adjacent wall. dimensions:
about 250 cm x 1200 cm.

Ateliê Sobre ateliê outra vista/
Ateliê on Ateliê Other view.

Ateliê Sobre Ateliê detalhes/
Ateliê on Ateliê Details.

Underground. 2013.
Monotype on paper.Triptych.
Site Specific.Drawings of the
basement walls of the House of
Culture Dide Brandão were used
as stamps and exposed in the
space overhead. Life-size.
Varying dimensions.

Subterrâneos vosta 2/
Underground View 2.

Subterrâneos vista 1/
Underground View 1.

Subterrâneos vista 3/
Underground View 3.

Sink on wall. 2014.
Monotype on the wall.
Drawings of the sink and the wall
of the atelier were transferred
to the exhibition space.
Life size. Dimensions:
300 cm x 250 cm.

Study to see the floor. 2013.
Monotype on paper.
Site specific. View of the
exhibition at the Cañizares
Gallery UFBa, Salvador,
BA, Brazil.

Untitled. 2013.
Monotype on paper
and ink on wall.
Site specific. Part of
the wall was used as
a stamp. Approximate
dimensions: 200 cmx400 cm.

Vacuum Cleaner. 2013.
Monoprint on rice paper.
From the series: "Looking
as if for the first time".
Polyptych of 7 pieces.
Vacuum cleaner was used
as matrix. Life-size.
Varying dimensions.

Tostex. 2013.
Monotype on paper.
From the series "Looking as if for the first time".
Polyptych of 4 pieces. Tostex used as matrix, life-size. 30cm x 45cm
each piece. Total size:
137cm x 45cm.

Microwave. 2013.
Monotype on paper.
From the series "Looking
as if for the first time".
Polyptych of 6 parts.
Microwave was used
as stamp. Life-size.
Varying dimensions.

Coffee Machine. 2013.
Monoprint on rice paper.
From the series "Looking
as if for the first time".
Coffee machine used as matrix.
Life-size. Varying dimensions.
Total size: 130cm x 100cm.

Study to watch TV. 2013.
Monotype on paper.
From the series "Looking
as if for the first time".
Polyptych of 6 pieces.
TV used as matrix.
Life-size. Varying
dimensions.

Study to observe a table. 2013.
Monotype on paper.
From the series: "Looking
as if for the first time".
Polyptych of 5 parts.
Wooden table used
as matrix. Life-size.
Varying dimensions.

Exercise to look at a stool. 2013.
Monotype on paper.
From the series "Looking
as if for the first time".
Wooden stool
used as matrix.
Polyptych of 4 pieces.
Life-size. Varying
dimensions.

Study to observe a bed. 2013.
Monotype on paper.
From the series "Looking
as if for the first time".
Polyptych of 8 pieces.
Parts of a bed used as
stamps. Life-size.
Varying dimensions.

Basket Cot. 2013.
Monotype on paper.
From the series "Looking
as if for the first time".
Small wooden basket
used as stamp. Life-size.
Varying dimensions.
Total size: 91cm x 91cm.

Study to look at a chair. 2011.
Monotype on paper.
From the series "Looking
as if for the first time".
Polyptych of 7 pieces.
Drawing of a chair
was used as matrix.
Life-size.
Varying dimensions.

The Tree of Knowledge. 2011
Monotype on paper
Polyptych of 16 pieces
Books were used as stamps
50.0 cm x 68.5 cm each piece

Legacy of the industrial revolution. 2011
Monoprint on paper. Diptych
132cm x 102cm each piece

Exercise to look at objects. 2012.
Bat oil and graphite
on canson paper.
Polyptych of 15 pieces.
Drawings of domestic
objects were used
as arrays. 44cm x 32cm
each piece.

Face to Face. 2011.
Monotype on paper.
Table used as matrix.
Life-size. 151cm x 111cm.

Blind Narciso. 2011.
Graphite Powder and
monotype on rice paper.
Wall mirror and a
Bathrooms used as
matrices. 93cmx 63cm.

In The Light of Things. 2011.
Monoprint on rice paper.
Household objects used
as stamps. Polyptych of 20
pieces. 35,5cm x 24,5cm each.

Exercize for the deconstruction
of a bathroom. 2013.
Monotypes on paper. Drawings
of the surfaces of a bathroom
were transferred to sheets of paper.
Life-size. 300cm x 700cm.

Bathroom on Booth. 2014.
Monotype on walls.
Drawings of the surfaces of
the artist's bathroom were
transferred to the booth's
walls at Pinta London Art Fair.
300cm x 150cm x 178cm.

2017. Tinta spray sobre papel. Serrote real foi usado como matriz. 100cm x 62cm.

2017. Tinta spray sobre papel. Um martelo real foi usado como matriz. 100cm x 62cm.

Monotype on paper. 2017. 50cm x 62cm.

Detalhe.

Detalhe.

Detalhe.

Detalhe.

Detalhe.

Às Vezes Palavras são Fronteiras e Grade Inútil.

Às vezes Palavras são Fronteiras e Grade Inútil.

Exposition view (Marp).

Scheme of Amendments. 2017. Diptych. Collage, crepe tape, oil stick, crayon, graphite, shellac on paper.

https://youtu.be/CeT5sJNO48E

Social Drawing.
2015.Installation.
Paper, tape, monotypes on paper, bat oil, rubber band, string, objects. Additional materials should be available for the public to interfere. Approximate dimensions:
650cmx400cmx300cm.

Space study. 2015.
Installation
and interference. Concrete and ink on
walls. Drawings of
architectural surfaces were used as matrices.

Reconfiguration of Specific
Spaces 2 (MacDowell Colony). 2014.
Monotype on paper. Drawings taken
from surfaces of architectural spaces
of the building "Lodge"
were transferred to paper.
Life-size. Polyptych of 5 parts.
150cm x 270cm.

Reconfiguration of Specific
Spaces 2 (MacDowell Colony).
View of the work at the Bienal
de las Fronteras, Contemporary
art Museum of Tamaulipas,
México. 2015.

Reconfiguration of Specific
Spaces 4 (Heinz). 2014.
Drawings taken from surfaces
of architectural spaces of the building
"Heinz" were transferred to the walls
of a corner and two pieces of wood
on the floor. Life-size.
200cmx200cmx200cm.

Reconfiguration of Specific Spaces
(MacDwell Colony). 2014.
Monotype on paper.
Drawings found on surfaces of
MacDowell Colony's architecture
spaces were transferred to sheets
of paper and mounted in relationship
with the studio Heinz space.
270cm x 900cm x 200cm

Reconfiguration of Specific Spaces
(MacDwell Colony). 2014.
Monotype on paper.
Drawings found on surfaces of
MacDowell Colony's architecture
spaces were transferred to sheets
of paper and mounted in relationship
with the studio Heinz space.
270cm x 900cm x 200cm.

Reconfiguração de Espaços
Específicos (MacDowell Colony)
Outra Vista.

Reconfiguration of Specific Spaces
(MacDowell Colony) Other view.

Double Space. 2014.
Instalation. Concrete.
Parts of the surfaces of
Casa das Caldeira's architecture were
duplicated and mounted in relationship with a
specific space of the place. 350cm x 500cm

Espaço Duplo vista 04/
Double Space View 04

Esp[aço Duplo vista 05/
Double Space View 05

Espaço Duplo vista 06/
Double Space View 06

Espaço Duplovista 07/
Double Space View 07

Hall on Paper. 2014.
Monotype on paper. Site specific.
Drawings taken from architectural
elements of the City Hall of St. André
were transferred into sheets of paper
at full scale and assembled in dialogue
with the exhibition space.
Dimensions: 220 cm x 440 cm.

Salão Sobre papel. Detalhe/
Hall on Paper Detail.

Ateliê on Ateliê. 2013.
Monotype on the wall.
Site specific. Drawings of
Kitchen's and bathroom's
surfaces of the Ateliê 397
were transfered to the
adjacent wall. dimensions:
about 250 cm x 1200 cm.

Ateliê Sobre ateliê outra vista/
Ateliê on Ateliê Other view.

Ateliê Sobre Ateliê detalhes/
Ateliê on Ateliê Details.

Underground. 2013.
Monotype on paper.Triptych.
Site Specific.Drawings of the
basement walls of the House of
Culture Dide Brandão were used
as stamps and exposed in the
space overhead. Life-size.
Varying dimensions.

Subterrâneos vosta 2/
Underground View 2.

Subterrâneos vista 1/
Underground View 1.

Subterrâneos vista 3/
Underground View 3.

Sink on wall. 2014.
Monotype on the wall.
Drawings of the sink and the wall
of the atelier were transferred
to the exhibition space.
Life size. Dimensions:
300 cm x 250 cm.

Study to see the floor. 2013.
Monotype on paper.
Site specific. View of the
exhibition at the Cañizares
Gallery UFBa, Salvador,
BA, Brazil.

Untitled. 2013.
Monotype on paper
and ink on wall.
Site specific. Part of
the wall was used as
a stamp. Approximate
dimensions: 200 cmx400 cm.

Vacuum Cleaner. 2013.
Monoprint on rice paper.
From the series: "Looking
as if for the first time".
Polyptych of 7 pieces.
Vacuum cleaner was used
as matrix. Life-size.
Varying dimensions.

Tostex. 2013.
Monotype on paper.
From the series "Looking as if for the first time".
Polyptych of 4 pieces. Tostex used as matrix, life-size. 30cm x 45cm
each piece. Total size:
137cm x 45cm.

Microwave. 2013.
Monotype on paper.
From the series "Looking
as if for the first time".
Polyptych of 6 parts.
Microwave was used
as stamp. Life-size.
Varying dimensions.

Coffee Machine. 2013.
Monoprint on rice paper.
From the series "Looking
as if for the first time".
Coffee machine used as matrix.
Life-size. Varying dimensions.
Total size: 130cm x 100cm.

Study to watch TV. 2013.
Monotype on paper.
From the series "Looking
as if for the first time".
Polyptych of 6 pieces.
TV used as matrix.
Life-size. Varying
dimensions.

Study to observe a table. 2013.
Monotype on paper.
From the series: "Looking
as if for the first time".
Polyptych of 5 parts.
Wooden table used
as matrix. Life-size.
Varying dimensions.

Exercise to look at a stool. 2013.
Monotype on paper.
From the series "Looking
as if for the first time".
Wooden stool
used as matrix.
Polyptych of 4 pieces.
Life-size. Varying
dimensions.

Study to observe a bed. 2013.
Monotype on paper.
From the series "Looking
as if for the first time".
Polyptych of 8 pieces.
Parts of a bed used as
stamps. Life-size.
Varying dimensions.

Basket Cot. 2013.
Monotype on paper.
From the series "Looking
as if for the first time".
Small wooden basket
used as stamp. Life-size.
Varying dimensions.
Total size: 91cm x 91cm.

Study to look at a chair. 2011.
Monotype on paper.
From the series "Looking
as if for the first time".
Polyptych of 7 pieces.
Drawing of a chair
was used as matrix.
Life-size.
Varying dimensions.

The Tree of Knowledge. 2011
Monotype on paper
Polyptych of 16 pieces
Books were used as stamps
50.0 cm x 68.5 cm each piece

Legacy of the industrial revolution. 2011
Monoprint on paper. Diptych
132cm x 102cm each piece

Exercise to look at objects. 2012.
Bat oil and graphite
on canson paper.
Polyptych of 15 pieces.
Drawings of domestic
objects were used
as arrays. 44cm x 32cm
each piece.

Face to Face. 2011.
Monotype on paper.
Table used as matrix.
Life-size. 151cm x 111cm.

Blind Narciso. 2011.
Graphite Powder and
monotype on rice paper.
Wall mirror and a
Bathrooms used as
matrices. 93cmx 63cm.

In The Light of Things. 2011.
Monoprint on rice paper.
Household objects used
as stamps. Polyptych of 20
pieces. 35,5cm x 24,5cm each.

Exercize for the deconstruction
of a bathroom. 2013.
Monotypes on paper. Drawings
of the surfaces of a bathroom
were transferred to sheets of paper.
Life-size. 300cm x 700cm.

Bathroom on Booth. 2014.
Monotype on walls.
Drawings of the surfaces of
the artist's bathroom were
transferred to the booth's
walls at Pinta London Art Fair.
300cm x 150cm x 178cm.